![]() Additionally, she launched a clothing line and participated in charity work specifically as an advocate of funding breast cancer organizations as well as having strong links to Peru where she has made several travel and fashion films.Ĭhristensen maintains homes in both New York City and Monaco and can often be seen at events like fundraisers, show openings, movie premieres, and fundraisers. Shot against Hawaii’s backdrop of dark sands and surf, this seductive music video stands as one of its finest examples.Ĭhristensen co-founded Nylon magazine and is now an established photographer. In 1991, she made headlines when she appeared in Chris Isaak’s video for his song Wicked Game where she plays an innocent victim of an unfaithful partner. Soon thereafter she was recruited as one of Victoria’s Secret Angels, making their catalog and television commercial campaigns ever since additionally, she has served as spokesperson for Revlon cosmetics for many years. Her first modeling job began at age 9 later that same year she competed in Miss Denmark 1986 before heading to Paris to further pursue a modeling career. Helena Christensen has appeared on magazine covers and advertising campaigns on both sides of the Atlantic as well as numerous films and music videos since that time. ![]() She quickly rose through the ranks alongside Claudia Schiffer, Naomi Campbell, and Cindy Crawford to become one of the best-known models of that time. Helena Christensen has been an icon in fashion since making her debut as a supermodel during the early 1990s. Butik offers clothing, antiques, and furniture. Christensen co-founded Nylon magazine and supported breast cancer awareness among other philanthropic causes.įashion icon Irina Butik owns Butik in New York City alongside her life partner. Helena Christensen shot to stardom after appearing in Chris Isaak’s music video for Wicked Games by Chris Isaak in 1991, an iconic moment that catapulted her to stardom and major fashion campaigns. Lagerfeld, taking a page from Gustave Flaubert, might have said, “Mademoiselle, c’est moi.Helena Christensen: Victoria’s Secret Angel In the piece, Kramer notes that 1983 (the year Lagerfeld joined Chanel) was “the year modernism in art and architecture and design and even literature began to give way to ‘citation’ and ‘quotation,’ and images of the past became, so to speak, the accessories of the present.” Over time at Chanel, those images referred both way back to the house founder and to the innovations made by Lagerfeld, who reinvented the brand for the 21st century. In 2019 this finale would read as nostalgic, but in “The Chanel Obsession,” a 1991 article for Vogue, journalist Jane Kramer linked Lagerfeld’s tenure at Chanel with the rise of Postmodernism. The image distills café society chic in its pure-and still modern-looking-essence. Spectator-style platform sandals and a smile complete her look. Her hair is wrapped in a band, and she’s wearing white pants with a dark top that she’s accessorized with layered strands of pearls. Though undated, it was likely taken in the 1920s or ’30s and shows Mademoiselle sitting on the compact but steely shoulders of her friend dancer Serge Lifar. There were belts with frames holding pictures of her face, but these were nothing compared to the finale for which Lagerfeld brought to life a famous photo of Coco. Corselet-like inserts on suits and as waistbands on skirts further played on the lingerie theme.Ĭoco Chanel, it should be remembered, was a self-invented and self-made woman, and this collection, as all of Lagerfeld’s work for the house, was tied back to her. ![]() Cheekier still were the bedazzled bras and thongs worn as bikinis or under fine black knits that hardly inhibited their sparkle. Abbreviated-midriff baring jackets weren’t all that shocking, but skirts with slits and zips designed to reveal matching tweed panties were piquant. Models, teetering on Frederick’s of Hollywood–style platform sandals with spike heels, wore deconstructions of the classics. No one seemed to enjoy pushing good taste to the edge of bad more, and he had a field day with this push and pull at his fall 1995 show. Do share.īy 1995 good taste, which had always been associated with the house of Chanel, was no longer an immutable quality. These shows might be pre-internet, but they contain many Instagrammable moments. They honor the memory of Karl Lagerfeld, the giant and prolific talent who designed them, and speak to the 2010s obsession with all things 1990s. Editor’s note: Vogue Runway is closing out the decade by adding six archival Chanel shows to our collections archive.
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